The perfect gift for all musical fans, this beautiful book gives readers an extraordinary inside look at In the Heights, Lin-Manuel Miranda's breakout Broadway debut, written with Quiara Alegria Hudes, now a Hollywood blockbuster. 'This book is a collective diary looking back and shining a spotlight on the people and moments that have nurtured the journey and evolution of the show for *checks notes* LITERALLY half of my life' - Lin Manuel-Miranda In 2008, In the Heights, a new musical from up-and-coming young artists, electrified Broadway. The show's vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighborhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights. That's where Usnavi, Nina, and their neighbors chase their dreams and ask a universal question: Where do I belong? In the Heights: Finding Home reunites Miranda with Jeremy McCarter, co-author of Hamilton: The Revolution, and Quiara Alegria Hudes, the Pulitzer Prize-winning librettist of the Broadway musical and screenwriter of the film. They do more than trace the making of an unlikely Broadway smash and a major motion picture: They give readers an intimate look at the decades-long creative life of In the Heights. Like Hamilton: The Revolution, the book offers untold stories, perceptive essays, and the lyrics to Miranda's songs-complete with his funny, heartfelt annotations. It also features newly commissioned portraits and never-before-seen photos from backstage, the movie set, and productions around the world. This is the story of characters who search for a home-and the artists who created one.

Winner of the 2016 Pulitzer Prize for Drama Now a major motion picture, available on Disney Plus. Goodreads best non-fiction book of 2016 From Tony Award-winning composer-lyricist-star Lin-Manuel Miranda comes a backstage pass to his groundbreaking, hit musical Hamilton. Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject, the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims the origins of the United States for a diverse new generation. HAMILTON: THE REVOLUTION gives readers an unprecedented view of both revolutions, from the only two writers able to provide it. Miranda, along with Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages - "since before this was even a show," according to Miranda - traces its development from an improbable perfor mance at the White House to its landmark opening night on Broadway six years later. In addition, Miranda has written more than 200 funny, revealing footnotes for his award-winning libretto, the full text of which is published here. Their account features photos by the renowned Frank Ockenfels and veteran Broadway photographer, Joan Marcus; exclusive looks at notebooks and emails; interviews with Questlove, Stephen Sond heim, leading political commentators, and more than 50 people involved with the production; and multiple appearances by Presi dent Obama himself. The book does more than tell the surprising story of how a Broadway musical became an international phenomenon: It demonstrates that America has always been renewed by the brash upstarts and brilliant outsiders, the men and women who don't throw away their shot.

Henry Fairlie was one of the most colorful and trenchant journalists of the twentieth century. The British-born writer made his name on Fleet Street, where he coined the term "The Establishment," sparred in print with the likes of Kenneth Tynan, and caroused with Kingsley Amis, among many others. In America his writing found a home in the pages of the" New Yorker" and other top magazines and newspapers. When he died, he was remembered as "quite simply the best political journalist, writing in English, in the last fifty years."

Remarkable for their prescience and relevance, Fairlie's essays celebrate Winston Churchill, old-fashioned bathtubs, and American empire; they ridicule Republicans who think they are conservatives and yuppies who want to live forever. Fairlie is caustic, controversial, and unwavering--especially when attacking his employers. With an introduction by Jeremy McCarter, "Bite the Hand That Feeds You "restores a compelling voice that, among its many virtues, helps Americans appreciate their country anew.